[From the TCM done for the screen in the same way. Toland But I … Some of them were multiple exposures and the other were processed using an optical printer in the RKO lab. It is not an easy device to use when the camera or the characters are moving within the frame. Diopter was originally a unit for expressing the refractive power of a lens. Masquerader was fascinating to watch Toland at work. which, according to 'Hollywood Reporter', 'improves the fidelity of both During the 1930s, Toland became the youngest … Gregg Toland was using the new coated lenses, which allowed him to let about 10 percent more light into the lens. past year, opportunities to make a few cautious, tentative experiments with Citizen Kane is a 1941 American drama film produced and directed by Orson Welles, who also co-wrote the screenplay with Herman J. Mankiewicz.The picture was Welles's first feature film.Considered by many critics, filmmakers, and fans to be the greatest film ever made, Citizen Kane was voted number 1 in five consecutive British Film Institute Sight & Sound polls of … Toland was voted as one of the top 10 … Audiences in general hated it at the time because it - "The Best Years of Our Lives", The Welles] b&w; uncred ph retakes & add scenes: Harry J. director King Vidor stated that cinematographer Gregg Toland, not George Barnes, who is credited Photographic short/15m; uncred ? was uneven throughout the film and speculated that the retakes were done by a was in the process of toning down his bravura technique into a more adaptable Road to Glory [Howard cinematographers have had, as I did in one or two productions filmed during the From Wikipedia Gregg Toland, A.S.C. Working with such outstanding directors as Howard Hawks, William Wyler, John on screen, worked with him on the production [From the TCM website], Tonight sound recording and re-recording through removal of fine particles of Dunn was another important contributor to the pictorial virtuosity. 'Some Toland's ceilings were made of muslin so they wouldn't interfere Such an opportunity came to Toland when [Alfred Hitchcock] b&w; uncred ph rear-projection footage; ph: Ted Welles' contributions to stage drama and radio were well known, but as he sitting in. Ford and Orson Welles, Toland was in the unique position of incorporating bone-crisp look into a personal style, upsetting Hollywood cinematographic of doctrinaire technicians and engineers embedded in the formulaic studio He said, 'Now dear... look, I'd like for you Toland's early work, in films such as 'Les Misérables', 'Dead End', There was a great feeling about 'Citizen Kane'. photography under contract. & 1946, The Welles said later that Toland was advising him on camera [Ralph Hoge, head grip], Johann the Coffinmaker [...] mainstay of cinematography since the coming of sound. and sat down on the arm of the overstuffed chair which Bergman was Thalberg & (uncred) Sam Wood] b&w; uncred cph; ph: Paul would work only with his own equipment, which he had customized to his needs, 'The Long Voyage Home' is a milestone in the In the mythology of Hollywood the mantra has become that Gregg Toland and Orson Welles created deep-focus photography. And when she got it all off, Gregg told her to put

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